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Nick Brandt
    THE ECHO OF OUR VOICES: The Day May Break, Ch. Four
      Photographs
    SINK / RISE: The Day May Break, Ch. Three
      Photographs
      Video
      ESSAYS
      The Day May Break CH. 1 & 2
        PHOTOGRAPHS: CHAPTER 1
        PHOTOGRAPHS: CHAPTER 2
        ESSAYS
          Survivor Stories
            SURVIVOR STORIES: CHAPTER 1
            SURVIVOR STORIES: CHAPTER 2
          NGOs
          PRESS
          Reviews
        - Bookstore -
      The Day May Break
      nick Brandt
      Harriet and People in fog, zimbabwe, 2020
      Limbo. Lim·bo.

      One dictionary definition of limbo is this:
      “An uncertain period of awaiting a decision or resolution; an intermediate state or condition.”

      Of course, in 2020, Year One of COVID-19, when this series was photographed, this description applied to all of us. It was a time wondering when we would be able to return to lives that could be fully lived. But there is another even more consequential reason that we are in this “uncertain period,” this “intermediate state”: right now, we don’t know if the Earth as we know it, or if we, will survive humanity’s ongoing destruction of the natural world.

      A second definition of limbo (with the religious aspects—Christian, Roman Catholic—removed) is this:
      “An abode of souls that are barred from heaven.”

      What is heaven in this instance? Who are the abode of souls?

      The souls are us, and all animals, all sentient creatures. And from what heaven will we be barred?
      A celestial place, that is right under our feet. Our own planet. Earth, as it used to be, in its former natural glory.

      But as I write, given what is unfolding on our planet, it’s not looking promising for a return to a more harmonious and stable way of being. The Doomsday Clock - that represents the likelihood of man-made global catastrophe - clicks ever closer to midnight. In 2021, it was just 100 seconds away from midnight, the closest it has ever been.

      Humanity’s inability to dramatically change its treatment of the natural world is not new. We have been here before, but the lessons have not been learned. Over the centuries, entire civilizations have collapsed due to environmental degradation, civilizations that imposed too much burden on their surrounding natural world. (Read Jared Diamond’s Collapse for a compelling recounting of many of these.) But in those times, centuries ago, the societal collapse was localized.

      Now, with so vastly many more of us, it’s not “just” a region that is destroyed. If little changes, the destruction will mushroom into an ecological—and civilizational—collapse of our entire planet.

      This time, in the twenty-first century, the collapse will be global.


      These last few years, when I look at imagery of many places on the planet, I no longer find myself able to experience a pure wonder at their beauty. I now have a bittersweet taste in my mouth and an anxious pit in my stomach. I find myself wondering, how long will those places remain pristine, given the speed of environmental degradation? How long before scorching wildfires claim them? And will they recover from these mega-fires? So many forests—damaged by climate change, by wildfires and mega-droughts—are not recovering or returning like they once did.

      As the natural world we knew rapidly disappears before our eyes, we yearn for what was. Not in a nostalgic or sentimental way, but with a deep visceral ache in our being.

      I’m stating the obvious, but it needs to keep being repeated: that in destroying nature, we will also ultimately destroy ourselves. A healthy natural world is essential for the well-being of all humanity.

      And this leads me to this series. During the course my photographic life, there has been a steady progression toward the photography of people, toward, in The Day May Break, people now be-ing the literal focus of the images. Some may ask, after all these years, why?

      Because it was time.

      Nearly twenty years ago I started photographing the wild animals of Africa as an elegy to a dis-appearing world. After some (too many) years, seeing the escalating environmental destruction, I felt an urgent need to move away from that kind of work and address the destruction in a much more direct way. This led to the series, Inherit the Dust (2016) and This Empty World (2019). These were mainly about habitat loss and biodiversity loss, significantly as a result of human ex-pansion and development. The Day May Break addresses perhaps the biggest crisis of all: climate change, or a more fitting phrase, climate breakdown, which negatively impacts every living creature on the planet.

      And so it was that I came to photograph The Day May Break in Zimbabwe and Kenya in late 2020.
      It is the first part of a global series portraying both people and animals that have been impacted by environmental degradation and destruction.

      The people in this series of photos have all been badly affected by climate change. Some were displaced by cyclones that destroyed their homes. For some, like Kuda in Zimbabwe, or Robert and Nyaguthii in Kenya, it was more tragic: both of them lost two young children, swept away by the floods.

      Many others in this series are, or were, farmers, impoverished by years-long severe droughts, and ultimately forced to abandon their land and move elsewhere. People living in rural areas, especially those working on the land, are almost always the hardest hit by environmental degradation, due to the exhausted natural resources upon which they rely. The grim irony is that these people are among those who have a small environmental impact on the planet, and yet are the most vulnerable to suffer the consequences of the industrial world’s ways.

      The photographs were taken at five sanctuaries and conservancies. The animals there are almost all long-term rescues, as a result of everything from poaching of their parents, to habitat destruction, to poisoning.

      These animals can never be released back into the wild, as they would not survive. With their lives now spent within the sanctuaries, they have become habituated to humans. As a result, it was safe for human strangers to be close to the animals, photographed, crucially, in the same frame at the same time.

      (You can read each individual’s story—humans and animals—from p.142 after the full page plates.)

      The fog is the unifying visual, symbolically causing a once-recognizable world to fade from view. The animals and humans in the fog are both together—in the same frame—and yet disconnected, never making physical or eye contact. But they are there together.

      However, my intention was that the fog often renders the animals almost a dream, or a memory of what the people in the photographs may once have witnessed in their lives.

      The fog (which was created by water-based non-toxic fog machines on location ) is also, of course, an echo of the suffocating smoke from the wildfires, driven by climate change, devastating so much of the planet
      Githui and Najin, Ol Pejeta Conservancy, Kenya
      On location, Ol Pejeta Conservancy, Kenya
      I currently live in the mountains of southern California. Our land and home were devastated by the fire of 2018 that came at the end of a six-year drought, thought to be the worst here in a thousand years. I believe that, given the growing number of extreme droughts and mega-fires, it is only a matter of time before there is too much risk associated with living here. But if, with the next inevitable fire, it should destroy our home, we won’t end up homeless, inshallah.

      However, most of the people in these photographs are already climate refugees. They lost their homes, and with it, their livelihoods. Around the planet, hundreds of millions of others will become climate refugees, set adrift from the world they knew, disempowered and marginalized, forced to find a place to call home all over again.

      The animals will be even less lucky. They will most likely be dead.

      The cry—that we have just a few years to turn things around before we hit the tipping point—has now unfortunately become, in my mind, either wishful thinking or a well-intentioned attempt to give people hope. In 2021, it is now too late to stop climate breakdown. It is already upon us. This is evident from the speed with which climate disasters around the world are already unfolding, more grimly, ominously ahead of schedule than even climate scientists’ projections.

      However, that should not for one second stop us from doing everything possible to minimize the harm. We can still save critical ecosystems and countless lives.

      The costs of continuing to keep our heads in the sand, or denying altogether, are unacceptable on so many levels: environmentally and ethically of course, but also in purely pragmatic terms, financially, because of course the costs now will be nothing compared to paying for the apoca-lyptic damage in the decades to come. Which brings me to . . .

      Ecocide. Eco·cide.

      The dictionary definition is unmistakably clear:
      “Destruction of the natural environment by deliberate or negligent human action.”

      Eco-cide derives from the Greek oikos meaning house or home, and the Latin caedere meaning strike down, slaughter, murder. So ecocide literally translates to murdering our home, planet Earth.

      The Rome Statute of the International Criminal Court lists four crimes:
      Genocide, Crimes Against Humanity, War Crimes, Crimes of Aggression.

      Aside from the obvious fact that if you’re a national leader willfully ignoring climate change, you are surely already committing a Crime Against Humanity, the Statute can be amended to include a fifth crime: Ecocide. This would make those governments and corporations, or their leaders—that are responsible for funding, permitting, or causing of severe environmental harm—liable to criminal prosecution.

      I think it is safe to say that many politicians and corporations around the world would instantly qualify for serious review and prosecution. In 2021, among the most destructive eco-terrorists were President Bolsonaro in Brazil, and legislatively, the majority of republican politicians in the United States political system. Their willful obstructionism, and deliberate dissemination of mis-information, is allowing, and will allow, many billions of animals and people to suffer and die, the impact lasting for centuries to come. Jeopardizing the future of the planet for the sake of their own short-term political gain and profit is, in my opinion, a crime like no other in the history of humanity.

      In the meantime, these emotionally hollow men were democratically elected. So it’s time to democratically boot them out. We must vote against such politicians who would create a death sentence for the world. We must vote for those who are committed to environmental causes, and who will stand up to industrial lobbyists whose only belief system seems to be the almighty bot-tom line.

      There is so much we can still do to turn around our planetary ship. The list of solutions is long, from a rapid transition to renewable energy to assigning full environmental protection to a sig-nificant percentage of the world’s surface.

      It’s a cliché but we can all do something. It doesn’t have to be on an international level. Millions of small actions accumulate in significance. From what you eat (go local, organic, plant-based), to what you wear, to what you drive. (By the way, this project is carbon neutral.)


      I always fear that I am preaching to the converted. That you, my audience, gravitate toward this work because you already feel and think the same.

      How often have I had any success persuading people who deny the reality of climate change, that climate change is human-caused? Not once. I have reeled off statistical facts and data-based science, but it has always fallen on indifferent or relentlessly skeptical ears. And I presume for many of you (especially those also living in America), you have had the same frustrating failures in changing minds.

      Regardless, I hope that my work can still be a cog in the wheel of (more than) incremental change. And that thought makes me all the more determined to continue as long as I am able.

      This is why I come back to the line that I use endlessly: it is better to be angry and active than angry and passive.

      Once you become active, the despair feels less overwhelming. Your actions, no matter how small, can energize and focus you.

      Those of us who care must continue to do our damnedest to minimize the damage as best we can. To keep on fighting for all in the here and now, and for those beings that come after us.

      In closing, I return to the people and animals photographed in this series.
      In spite of their loss, they are survivors.

      And there—in this survival through such extreme hardships—there lies possibility and hope.

      So . . . The Day May Break . . . and the world may shatter.
      Or perhaps . . . The Day May Break . . . and the dawn still comes.

      Humanity’s choice. Our choice.

      Zainab, KENYA, 2020

      © 2024, Nick Brandt. All rights reserved.